Художественная критика во взаимодействии с искусствоведением и философскими дисциплинами

Abstract

В статье производится экспликация понятия "художественная критика": вхождение слова "критика" в оборот русского языка и ее преобразование в понятие сферы искусствоведения. В своей деятельности художественная критика устанавливает определенные взаимосвязи с искусствоведением: историей и теорией искусства, а также рядом философских дисциплин: герменевтикой, структурализмом, эстетикой и аксиологией, которые в свою очередь составляют и ее методологическую основу на пути к познанию искусства. = Explication of the notion of art critics is made in the article: the introduction of the word critics into the circulation of the Russian language and its conversion into the notion of the sphere of art studies. Being one of the sections of art studies, alongside with history and theory of art, art critics is a creative act, which implies analysis, interpretation and assessment of works of art in the context of contemporary artistic space and social culture. From the point of view of its content critics is a judgment about art. What this notion implies and what the image of its structure is predetermine its qualitative abilities. Art critics in its activities sets out definite interrelations with art studies: history and theory of art as well as with a number of philosophic disciplines: hermeneutics, structuralism, aesthetics and axiology, which in their turn make up its methodological basis on the way to art cognition. This theme is touched upon in works by Yu. B. Borev, S. M. Gracheva, M. S. Kagan and other researchers; it also has a wide response in the dynamically developing contemporary art space.