Декларации и деятельность Уновиса в печати Витебска 1920-1922 гг.

Abstract

В статье на основе анализа материалов витебской периодической печати исследуется идеология, практика Уновиса и оценка ее оппонентами. Показывается информационная значимость печати в раскрытии событийного ряда, освещении и выражении позиций участников дискуссии о месте и роли различных направлений в искусстве. = The development of the "left" art of the first decades of the twentieth century revealed the need for the artist to make extensive use of the possibilities of the printed word to express his position. The manifesto, the declaration themselves become art phenomena. The negative image of the futurist, which was shaped before 1917, as well as the radicalism in rejecting the achievements of the culture of the past and other directions, the authoritarianism of the pedagogical system, which did not give the skills of the artist practically applicable at that time, cause opposition from both students and intellectuals and administrations that is reflected in the press. The article studies the ideology and practice of Unovis and its opponents' assessment on the basis of the analysis of the materials of Vitebsk periodical press. The information significance of the press is shown in the disclosure of the event series, the coverage and expression of the positions of the participants in the discussion about the place and role of various trends in art.